3/15/2023 0 Comments Frank stellaOn the summer solstice we serenade the Stars with songs about winter. Mikalson said, “On the winter solstice we serenade the S tars with songs about summer. Signs with QR codes were installed in the Museum’s Sculpture Garden by two of Stella’s outdoor sculptures, Jasper’s Split Star and Frank’s Wooden Star. The sounds appear to emanate from the Stars as if they are singing to each other. The performer plays to the Stars with deep feeling, seeking to communicate with them. The winter solstice score is performed by musician Karina Garrett. The scores for the winter solstice are excerpted from eponymous summertime tunes like Summertime by Gershwin and Walking on Sunshine by Katrina & The Waves. Scores for the Stars, Part I celebrates the winter solstice (December 21, 2020), a time when our largest star, the sun, is lowest in the sky. Visitors were encouraged to explore the outdoor works by Stella and experience Mikalson’s installation together in real time. Signage with QR codes to access Mikalson’s score while viewing Stella’s sculptures was placed in the Sculpture Garden. The first part, Scores for the Stars, Part I, was a two-channel sound installation on view in the Museum’s Sculpture Garden from Decemto January 3, 2021. Scores for the Stars, 2020-21, is a two-part series by artist Ander Mikalson commissioned by The Aldrich and dedicated to Frank Stella’s Stars. The exhibition will be accompanied by a full-color 150-page hardbound book, featuring essays by the exhibition’s curators. The exhibition spans the Leir Gallery, Screening Room, Project Space, Sculpture Garden and Museum’s grounds.įrank Stella was born in 1936 in Malden, Massachusetts, and lives and works in New York City.įrank Stella’s Stars, A Survey is organized by Richard Klein, Exhibitions Director, and Amy Smith-Stewart, Senior Curator, with the help of Caitlin Monachino, Curatorial Assistant and Publications Manager. The present survey, however, marks the first time that The Aldrich has devoted an entire exhibition to the artist’s work. Since then, Stella’s work has been exhibited in fourteen more group exhibitions, including shows such as Cool Art (1967), The Minimal Tradition (1979), and Intermedia: Between Painting and Sculpture (1984). The Museum’s founder Larry Aldrich showed an early interest in Stella’s work, exhibiting Tetuan (1963) one year after he founded The Aldrich in 1964. ![]() ![]() Today, the star is the lead in scores of works from small objects to towering sculptures, each parading a material resourcefulness that collapses analogue and twenty-first century fabrication techniques: RPT plastics, teak, aluminum, stainless steel, birch plywood, fiberglass, carbon fiber, and more. It then vanished and resurfaced many decades later at a moment when he committed himself to three-dimensional abstraction. Stella’s use of the star form emerged during his first decade in New York as he was exhibiting his groundbreaking striped and shaped paintings.
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